feminaw Feminist Reading of Kate Chopins The Awakening...

A Feminist Reading of The Awakeningnbsp;nbsp; The Awakening is not new to me. However, in the class when I read it before the instructor refused to entertain a feminist criticism. The theory presented was that Edna knew what kind of man she was marrying and all these things she went through: her friendship with Madame Reisz leaving the house, entertaining her friends at the party, her situation with Robert and Arobin were all selfish efforts toward the ultimate freedom which is death. I feel Chopin faults Leonce as much as Edna for Ednas problems. He is a cold fish. He is controlling and he puts on a show for friends and neighbors proving he is a model husband which he is not. He is Creole and I think Edna, being as reserve†¦show more content†¦Her search for freedom builds and destroys relationships. She befriends people and then chooses to ignore them. Her final big party is her final farewell. She brings out all the sensuousness that her reserve had kept her from expressing and enjoying. Everything pleasing to the senses is there for her guests. There are colors, textures, tastes, and sounds for the senses to luxuriate. But all this sensory enhancements doesnt keep her attention. She feels the same old ennui, and the party shortly thereafter breaks up. Of course, all this meets with Leonce disapproval. His concern is not about his wifes mental or emotional health, but rather, what people will say. To experience freedom of the soul Edna has no choice but to return to the sea. It is the only thing capable of giving her the emotional security and sensual satisfaction at the same time. She goes to it and allows it to claim her. Like many of Chopins stories, The Awakening ends in a death. Chopin apparently sees death as the ultimate freedom. No matter what we do as women in this world we are always restricted in our movements by some facet of our lives. While Chopin tries to speak for women, I think this premise that our lives are restricted also applies to men. There may not be as many restrictions but they are there. Freedoms just another word for nothin left to loose.Janis Joplin The

Brain Injury and Multiple Stage Rehabilitation - 956 Words

Does anyone ever want to experience something that is the number one cause of death in people under the age of 44? Would anyone want to go through multiple stages of rehabilitation just from one little mistake they made while playing for their high school football team? Brain injuries are a big controversy in society right now, but understanding why theyre so common in youth sports, some statistics and what they are, and the treatment for them will change the outlook that some people have on them. Being educated on brain injuries in the world we live in is a must nowadays. What most people don’t realize is how often brain injuries occur. Brain injuries are the number one cause of death in people under the age of 44. Brain injuries occurs†¦show more content†¦Someone who has had a head injury must undergo minor testing to detect the severeness of the injury; then from there they may have to experience further tests or check ups to correct the problem. There are multiple stages of rehabilitation that you can go through to help your brain return to its former glory. When you first get hurt you should visit the emergency room. From the emergency the patient will be emitted into the intensive care unit, or the ICU. In this location the doctors will stabilize the patients health. They can monitor his heart and run test while the patient is in the ICU. If they need help breathing then they can be put on a ventilator to help them maintain a stable heartbeat (â€Å"Tre atment†). Once a patient is well enough and stable enough, they will be removed from the ICU and placed into acute rehabilitation. In acute rehabilitation nurses will help you get back to doing everyday life things. They help you get use to doing common daily activities. When the patient is well enough to participate in more intensive therapy, they are moved to postacute rehabilitation. This is more of a natural stage of healing. It is used to allow your body to regain its ability to survive on its own, without medical care. Someone who cannot handle the intensity of postacute rehabilitation, they get transferred to subacute rehabilitation. This is pretty much the same as postacute rehabilitation, but it is more like a nursing homeShow MoreRelatedStrokes Essay794 Words   |  4 Pagesstroke rehabilitation covering patient management in the acute, subacute, and chronic phases of poststroke treatment. Cognitive, behavioral, and functional assessment in the subacute poststroke p hase is discussed, neuropsychiatric problems occurring during this phase are identified, and cognitive deficits and perceptual deficits encountered during occupational therapy are described. Speech, recreational, and music therapy and social support services are also considered. Rehabilitation Psychology: Read MoreEssay on Traumatic Brain Injury1393 Words   |  6 PagesTraumatic Brain Injury Your kitten is on the kitchen counter. 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Censorship in American Animation Essay Example For Students

Censorship in American Animation Essay Censorship in American animation dates back to the Motion Picture Production Code of 1934, during an effort that preceded the Motion Picture Association of America’s film ratings system. The code was defined as the set of moral guidelines to be followed within the film industry; it ultimately became the only institution governing the production and censorship of most motion pictures produced or distributed within the United States before the film ratings system was implemented. While all motion pictures were subject to censorship under the Motion Picture Production Code, animated shorts and features were carefully inspected due to their impact on children as well as the ability of animators to draw characters in any way or engaging in any act. Perhaps the most famous example of censorship in American animation comes with the â€Å"Censored Eleven,† a group of Looney Tunes and Merrie Melodies cartoons that were banned from syndication in the United States in 1968. The United Artists studio, which owned the distribution rights at the time, decided to stop the future broadcast of these eleven specific animated shorts due to their political incorrectness. Because these cartoons were banned for being too offensive for contemporary audiences, they have not been officially broadcast on television since their banning in 1968. This fact alone provides us with understanding the power of censorship. In the instance of the â€Å"Censored Eleven,† racial themes are so essential to these cartoons that no amount of selective editing would make the collection acceptable for syndication, distribution, or broadcast. With this example, we understand that censorship in animation is different than other media due to how selective it is in nature. Censorship in war eras (specifically after or around World War II) was less rampant than in other time periods. Superman could easily get away with fighting the Japanese in 1942 because Fleischer and Famous Studios had gone through great lengths to explain the type of enemy they were and why we must defeat them. This version of Superman as an American super-weapon has actually been quite popular throughout the life of the character, which could be argued as relatively expected. Who better than a truly American role model to show children that the United States can do no wrong? Additionally, there is an interesting commentary on the role of censorship in this instance. Are animated terroristic-like acts and racism suddenly acceptable once the Japanese or Nazis became involved with the affairs of United States citizens? Perhaps censorship serves a fundamental role in the attitudes of Americans by choosing what sentiments to share. The answer to these questions is unfortunately still being written. The Production Code of 1934 required a priori censorship, meaning scripts and storyboards needed to be approved by the censorship authority prior to the finished product being placed on the market. However, in the world of animation, most of the editing and censorship has been post hoc, meaning a finished product being removed from distribution or edited without the consent of its creators. This form of selective censorship brings several moral, ethical, and artistic ambiguities with it and still affects us as Americans today. Censorship in cartoons is sporadic and almost hypocritically in its nature, as seen when comparing the racist nature of Coal Black and de Sebben Dwarfs (one of the â€Å"Censored Eleven†), with the violence in wartime Superman and the Eleventh Hour. This lack of a uniform standard concerning censorship across the animation industry leads to the spotty and incomplete removal of potentially harmful material. Perhaps the most important thing to note when looking at censorship within the animation industry is the fact that animation is considered in many instances an entertainment form designed specifically for children. Additionally, rarely does an â€Å"Edited for Television† disclaimer preface a content-edited cartoon. This directly relates the hypocritical nature of American censorship in animation; we want to ensure that our kids are safe from questionable material, but we also want to ignore its happening. .u9620f95da619ea5cdc85d22d3315b740 , .u9620f95da619ea5cdc85d22d3315b740 .postImageUrl , .u9620f95da619ea5cdc85d22d3315b740 .centered-text-area { min-height: 80px; position: relative; } .u9620f95da619ea5cdc85d22d3315b740 , .u9620f95da619ea5cdc85d22d3315b740:hover , .u9620f95da619ea5cdc85d22d3315b740:visited , .u9620f95da619ea5cdc85d22d3315b740:active { border:0!important; } .u9620f95da619ea5cdc85d22d3315b740 .clearfix:after { content: ""; display: table; clear: both; } .u9620f95da619ea5cdc85d22d3315b740 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u9620f95da619ea5cdc85d22d3315b740:active , .u9620f95da619ea5cdc85d22d3315b740:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u9620f95da619ea5cdc85d22d3315b740 .centered-text-area { width: 100%; position: relative ; } .u9620f95da619ea5cdc85d22d3315b740 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u9620f95da619ea5cdc85d22d3315b740 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u9620f95da619ea5cdc85d22d3315b740 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u9620f95da619ea5cdc85d22d3315b740:hover .ctaButton { background-color: #34495E!important; } .u9620f95da619ea5cdc85d22d3315b740 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u9620f95da619ea5cdc85d22d3315b740 .u9620f95da619ea5cdc85d22d3315b740-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u9620f95da619ea5cdc85d22d3315b740:after { content: ""; display: block; clear: both; } READ: Communication Technologies - LAN and Topologies and Data Flow EssayThis also shows a lack of respect for the artists involved in the production of these cartoons and once again brings up the moral ambiguities concerned with censorship. Now, the American animation industry is more about commercialization than characterization, and the art of the animated short has nearly vanished from television in the United States altogether. This is direct evidence that we have moved to developing narrative within full-length animated shows and features. As the political climate in the United States becomes more progressive and moderate, animation censorship has as well. We now rely primarily on a ratings and self-censorship system in which parents are assured that studios will uphold the moral values and standards appropriate for the audience’s respective ages. Why are we still talking about censorship in 21st century America? Perhaps, at least when examining the case of animation, censorship in the Golden Age of animation (and even today) had little to do with the processes surrounding animation itself. As mentioned before, these cartoons were typically edited post hoc, after production was complete; this gives us the notion that someone down the line believed that they were morally and socially acceptable to create. Censorship, because we can now understand its inclinations fully, can be defined more as a reflection of society and what we determine to be acceptable as entertainment. The conversation about censorship, though old, is still relevant and continues today, as our ideas concerning morality and tolerance are constantly changing. Bibliography: Couvares, Francis G. Movie Censorship and American Culture. Washington: Smithsonian Institution, 1996. Print Heraldson, Donald. Creators of Life: A History of Animation. New York: Drake, 1975. Print. Cohen, Karl F. Forbidden Animation: Censored Cartoons and Blacklisted Animators in America. Jefferson, NC: McFarland , 1997. Print. Yenika-Agbaw, Vivian S., Ruth McKoy Lowery, and Laretta Henderson. Fairy Tales with a Black Consciousness: Essays on Adaptations of Familiar Stories. New York: McFarland , 2013. Print.

Economics for Business Gas Retailers

Question: Discuss about the Economics for Business for Gas Retailers. Answer: Introduction The gas supply industry in Australia mainly consists of the gas retailers who purchase as well as sell the gas. The gas supply industry also consists of the distributors of the gas. Gas distributor mainly operates in the distribution network and they distribute the gas to the end-users. The operations of the retailers and the distributors have been increasingly disaggregated with the help of the successive privatization schemes. Along with the strong demand in the gas industry, the supply of the gas industry is also increasing at a rapid manner (Cochran 2015). As per the reports, the export of gas in Australia has increased over 60 million tones. The gas supply in Qatar and Malaysia is also liable to be overtaken by the Australian gas supply industry. The gas supply industry is becoming more disjointed with the increase in the number of the importing and exporting countries. The consequence for Australia is a more miscellaneous and more unstable market. The gas supply industry in Australia operates in the monopoly market structure that leads to large transportation of the pipeline as well as the distribution companies (Vickas et al. 2015). Through the gas distribution main, the gas supply industry distributes the natural gas to the customers. The firms in turn distribute the contrived town gas or the LPG that is the liquefied petroleum gas. The participants in the industry also retail the gas to both the trade and the customers. The gas supply industry in Australia mainly faces the monopoly competition in the market. The main reason is that a single supplier mainly distributes the gas that in turn leads to the monopoly competition. The suppliers are the price makers in this case (ZENG and CHEN 2015). Under the monopoly market structure, the gas suppliers will generally charge the prices, which will be in excess of the production costs. This will help the company to generate higher profits. The output of the gas supply industry will become substantially smaller as the prices under the monopoly market structure will be comparatively higher. The demand for the gas will be inversely related to the price (Williams 2016). The gas supply industry in Australia is mainly undergoing a noteworthy structural change. The profitable and the industrial businesses, which are gradually competing against exporters for gas, are finding it hard to bargain supply contracts. The supply contracts are on the other hand set at a privileged price. The households are also, on the other hand paying more for gas than they should and as a result, the gas supply industries are enjoying the monopoly competition. Australia has become a home to the largest gas deposits in the world. Australia has become a biggest exporter as it involves an investment of around $200 billion in liquefaction as well as the distribution facilities. As per the reports, the suppliers have taken the advantage of the uncertainty in the supply and the potential shortfalls in order to raise the prices. A gas retailer needs to continue to supply gas to the customers in all exceptional situations. The three largest energy companies in Australia are the AGL Energy Limited, Origin Energy Limited and Energy Australia Holdings that mainly dominates the eastern seaboard. It also provides the customers with the bundled gas and the electricity packages (Dibden 2012). The gas supply industries are mainly characterized by the higher prices as well as shorter duration. These in turn are likely to decrease industry margin. This in turn will increase the wholesale price of gas and lead to the increased household bills. The future supply viewpoint thus becomes uncertain. The gas supplies are considered competitive and as a result, the distributions of the gas supply remain strongly regulated. The pipeline and the conduction firm at the wellhead, in turn buy the gas for delivery (Abbott 2016). In the gas supply industry in Australia, the pipeline operators have a persistent market power. As a result, the pipeline operators are not effectively restraint by the competitive forces, which includes the current regulatory structure. The pipeline operators are also engaged in the monopoly pricing and as a result, they obtain the return that is comparatively higher as compared to the competitive market (Miravete et al. 2014). This in turn gives rise to a privileged delivered prices of gas and is known to give rise to an unfavorable economic effect. The information irregularity limits the ability of the shippers in order to identify the exercise of the market power. As per the reports, the state gas suppliers as well as the pipeline operators abuses the monopoly pricing in order to measure the higher prices out of the domestics consumers (Saaskilahti 2015). It has been recommended by the ACCC not to put in place a domestic reservation policy as it acts as a discouragement to investment. The ACCC also advises a new test in the regulations of the pipeline of the gas in order to put off the exercise of monopoly. Conclusion The gas supply industry in Australia mainly faces the monopoly competition in the market. The main reason is that a single supplier mainly distributes the gas. It has been concluded that the pipeline operators are also engaged in the monopoly pricing and as a result, they obtain the return that is comparatively higher as compared to the competitive market. As a result, the information irregularity limits the ability of the shippers in order to identify the exercise of the market power. References Abbott, M., 2016.The Economics of the Gas Supply Industry. Routledge. Cochran, M., 2015. Conventional and alternative transport fuels in Australia.Energy News,33(4), p.4. Dibden, J., 2012. Proponent: AGL Energy Limited Local Government Area: Bogan Shire Council. Miravete, E.J., Seim, K. and Thurk, J., 2014. Complexity, efficiency, and fairness of multi-product monopoly pricing. Sskilahti, P., 2015. Monopoly pricing of social goods.International Journal of the Economics of Business,22(3), pp.429-448. Vickas, M., Mcmanus, P. and Dey, C., 2015. From the Seam to the Stove: greenhouse gas assessment and the coal seam gas industry in Australia.Australian Geographer,46(1), pp.73-90. Williams, J., 2016. Economic insights on market structure and competition.Addiction. ZENG, F.H. and CHEN, J.J., 2015. Literature Review and Comment of Technical Monopoly Competition.Accounting and Finance,1, p.017.